October 1, 2011

THE SCORE: The Ecstasy of 'The Ecstasy of Gold'

It starts with a slow but powerful buildup, creating a sense of anticipation without revealing the central melody. Then it flows forth, like water after the destruction of a dam, with soaring notes that evoke sadness and hope -- simultaneously. There's somehow grace in its force, depth in its simplicity. Perhaps that's part of the explanation for the survival of "The Ecstasy of Gold," a classical composition that has found safe havens across generations and genres.

It was written by Ennio Morricone, a prolific Italian composer whose credits include hundreds of soundtracks over seven decades. The piece in question -- part of Morricone's score for "The Good, the Bad and the Ugly," a highly regarded 1966 film starring Clint Eastwood and set during the American Civil War -- accompanies a graveyard search for gold:

Ennio Morricone -- L'Estasi dell'Oro


By the early 1980s, "The Ecstasy of Gold" had become precious metal for Metallica, which injected the song with heavy guitars and pounding percussion (and, later, a full-fledged symphony. Exactly why the band decided to kick off every live show with the Marricone masterpiece is anyone's guess, but it's easy to see why the tradition still exists -- namely, because it is musical euphoria. It sounds something like the inner workings of Einstein's brain at the moment he finalized his theory of relativity:

Metallica -- The Ecstasy of Gold


The tune also made its rounds in the hip-hop world in 2002, when Jay-Z and Nas were engaged in a much-publicized series of spats. Unfortunately, Jay-Z trashes the epic potential of the "Blueprint 2" beat, peppering it with digs at his fellow New York emcee instead of turning it into a rap classic. (If there's any beat that should have stayed above the diss-track fray, it's this one.) Still, the Jay-Z joint is relevant because it reiterated Morricone's far-reaching legacy and inspired other rap renditions of the song. It doesn't complete the classical-to-classic cycle, but it's at least worth a listen:

Jay-Z -- Blueprint 2

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