It was written by Ennio Morricone, a prolific Italian composer whose credits include hundreds of soundtracks over seven decades. The piece in question -- part of Morricone's score for "The Good, the Bad and the Ugly," a highly regarded 1966 film starring Clint Eastwood and set during the American Civil War -- accompanies a graveyard search for gold:
Ennio Morricone -- L'Estasi dell'Oro
By the early 1980s, "The Ecstasy of Gold" had become precious metal for Metallica, which injected the song with heavy guitars and pounding percussion (and, later, a full-fledged symphony. Exactly why the band decided to kick off every live show with the Marricone masterpiece is anyone's guess, but it's easy to see why the tradition still exists -- namely, because it is musical euphoria. It sounds something like the inner workings of Einstein's brain at the moment he finalized his theory of relativity:
Metallica -- The Ecstasy of Gold
The tune also made its rounds in the hip-hop world in 2002, when Jay-Z and Nas were engaged in a much-publicized series of spats. Unfortunately, Jay-Z trashes the epic potential of the "Blueprint 2" beat, peppering it with digs at his fellow New York emcee instead of turning it into a rap classic. (If there's any beat that should have stayed above the diss-track fray, it's this one.) Still, the Jay-Z joint is relevant because it reiterated Morricone's far-reaching legacy and inspired other rap renditions of the song. It doesn't complete the classical-to-classic cycle, but it's at least worth a listen:
Jay-Z -- Blueprint 2
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